Showing posts with label clinton. Show all posts
Showing posts with label clinton. Show all posts
Monday, November 07, 2016
Monday, October 17, 2016
Saturday, October 08, 2016
Thursday, April 14, 2016
MAMMON, cover illustration for THE SHADOW, April 2016.
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| MAMMON, cover illustration for THE SHADOW, published by Chris Flash, April 2016. |
Labels:
aetna,
bribe,
capitalism,
clinton,
corruption,
danny hellman,
dannyhellman,
exxon,
goldman sachs,
graft,
greed,
illo,
pfizer,
president,
trump,
white house
Thursday, September 06, 2012
Seven assorted Presidential race illos
"ROMNEY UNZIPPED"
Cover illustration for Boston Phoenix
February 2010, Art direction by Kristen Goodfriend
"WET PAINT OBAMA"
Illustration for C&E Politics
May 2008, Art direction by Jeff Brown
"SUPER OBAMA"
Cover illustration for Creative Loafing Tampa
July 2008, Art direction by Jason Hatcher
"DESTROY ALL REPUBLICANS"
Illustration for Las Vegas Weekly
October 2011, Art direction by Ryan Olbrysh
“DESKTOP ELECTION”
Illustration for PRSA TACTICS
January 2008, Art direction by John Elsasser
"PEPPER-SPRAY THE GOP"
Cover illustration for SF BAY GUARDIAN
January 2012, Art direction by Mirissa Neff
“CANDIDATES 2008”
Illustration for THE STRANGER
October 2007, Art direction by Aaron Huffman
Tuesday, October 21, 2008
Rudy Ray Moore R.I.P.
To mark the passing of entertainer & Blaxploitation legend Rudy Ray Moore, (aka DOLEMITE) here's a drawing I did of the man from 1996, in the midst of the Clinton/Dole election. This illo ran in Tower Records' Pulse Magazine.
If you look closely at the color, you'll see brushstrokes and all kinds of variations in the color. This was 1996, just before I started coloring my illos digitally. Pre-1997, every color illo I did had to be shot onto a transparency, and then painted with Cel Vinyl animation paint, a process I don't miss one bit. Inevitably, I would end up holding a blow dryer over the art, desperately trying to dry the paint so I could drop the thing off at FedEx before they shut their doors.
I'm kinda bummed about Rudy Ray Moore's death. I figured he was immortal.
If you look closely at the color, you'll see brushstrokes and all kinds of variations in the color. This was 1996, just before I started coloring my illos digitally. Pre-1997, every color illo I did had to be shot onto a transparency, and then painted with Cel Vinyl animation paint, a process I don't miss one bit. Inevitably, I would end up holding a blow dryer over the art, desperately trying to dry the paint so I could drop the thing off at FedEx before they shut their doors.
I'm kinda bummed about Rudy Ray Moore's death. I figured he was immortal.
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