As I said in December of 2006, I hate the holidays, but I get a weird kick out of drawing Santa Claus, (I'm sure it has something to do with those Rankin Bass Christmas specials). I particularly enjoy putting Santa slightly outside of his usual context. Here are two new ones.
The first is a drawing for a Christmas card from The Onion. In this case, the Onion folks approached me with a fully-realized concept. I thought it was a cute idea, and I was thrilled for the opportunity to work for The Onion. The "Stoop Santa" drawing appears on the card's front, and when you open it, the caption reads, "he's real, yo."
I worked with Glenn Severence and Colin Tierney at The Onion's NYC office, and these cards are available for purchase here: http://store.theonion.com/he-iis-i-real,-yobrholiday-card-set-p-282.html
The next one is a concept that was all my own. Sal Canzonieri of the band Electric Frankenstein asked me to come up with a poster for their December East Coast tour with The Damned. Here's the result, with all the type removed for your viewing pleasure.
Sunday, December 21, 2008
Wednesday, November 05, 2008
Four Obamas
Whew. Historically, when I've given money to a campaign, it meant that they'd either lose or drop out, (Dean, Kerry & Edwards). What a pleasure to see things done right for a change!
Here are four Obama illos from the campaign, in chronological order. The first was drawn in September 2007 for Aaron Huffman at The Stranger.
The drawing of a monitor bursting with candidates was for John Elsasser at PRSA's The Strategist in January 2008. A note about this illo: originally, this drawing had Law & Order's Fred Thompson at the top of the group, but just as I was turning in the final art, Thompson dropped out, and Mike Huckabee was on the rise. I did a quick revise, patching in Huckabee's head over Thompson's.
The drawing of Obama painting himself into a corner was a cover illo for C&E Politics, drawn in June 2008 for Jeff Brown. The original concept had Obama and Hillary Clinton engaged in a squabble over who'd slung the most mud. I thought this was a stronger concept, but for whatever reason, the folks at C&E Politics opted for a solo Obama.
Finally, at the close of a Summer laden with cinematic superhero blockbusters, we have Obama and McCain clad in brightly-colored spandex. This was a cover illo for Creative Loafing Tampa, drawn for Jason Hatcher in September 2008. This drawing was a real treat; not only did I get to draw the candidates, but I got to have a crack at few iconic superheroes, which is always fun.
Here are four Obama illos from the campaign, in chronological order. The first was drawn in September 2007 for Aaron Huffman at The Stranger.
The drawing of a monitor bursting with candidates was for John Elsasser at PRSA's The Strategist in January 2008. A note about this illo: originally, this drawing had Law & Order's Fred Thompson at the top of the group, but just as I was turning in the final art, Thompson dropped out, and Mike Huckabee was on the rise. I did a quick revise, patching in Huckabee's head over Thompson's.
The drawing of Obama painting himself into a corner was a cover illo for C&E Politics, drawn in June 2008 for Jeff Brown. The original concept had Obama and Hillary Clinton engaged in a squabble over who'd slung the most mud. I thought this was a stronger concept, but for whatever reason, the folks at C&E Politics opted for a solo Obama.
Finally, at the close of a Summer laden with cinematic superhero blockbusters, we have Obama and McCain clad in brightly-colored spandex. This was a cover illo for Creative Loafing Tampa, drawn for Jason Hatcher in September 2008. This drawing was a real treat; not only did I get to draw the candidates, but I got to have a crack at few iconic superheroes, which is always fun.
Tuesday, October 21, 2008
Rudy Ray Moore R.I.P.
To mark the passing of entertainer & Blaxploitation legend Rudy Ray Moore, (aka DOLEMITE) here's a drawing I did of the man from 1996, in the midst of the Clinton/Dole election. This illo ran in Tower Records' Pulse Magazine.
If you look closely at the color, you'll see brushstrokes and all kinds of variations in the color. This was 1996, just before I started coloring my illos digitally. Pre-1997, every color illo I did had to be shot onto a transparency, and then painted with Cel Vinyl animation paint, a process I don't miss one bit. Inevitably, I would end up holding a blow dryer over the art, desperately trying to dry the paint so I could drop the thing off at FedEx before they shut their doors.
I'm kinda bummed about Rudy Ray Moore's death. I figured he was immortal.
If you look closely at the color, you'll see brushstrokes and all kinds of variations in the color. This was 1996, just before I started coloring my illos digitally. Pre-1997, every color illo I did had to be shot onto a transparency, and then painted with Cel Vinyl animation paint, a process I don't miss one bit. Inevitably, I would end up holding a blow dryer over the art, desperately trying to dry the paint so I could drop the thing off at FedEx before they shut their doors.
I'm kinda bummed about Rudy Ray Moore's death. I figured he was immortal.
Sunday, June 22, 2008
TYPHON Volume One now available through PayPal!
TYPHON Volume One is now available online via PayPal!
$24.95 includes free shipping & handling within the continental US
(US orders only until further notice).
Order securely online via PayPal!
$24.95 includes free shipping & handling within the continental US
(US orders only until further notice).
Order securely online via PayPal!
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